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| ORDER ONLINE - A R T S A R C H I V E S |
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Performance of "Everyday life after the Revolution
II. "Wojciech Krukowski in conversation. VOL 1 |
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A Workshop: Compositional techniques. VOL2 |
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Allain, Paul: |
Suzuki training - an introductory
file VOL 1 |
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Suzuki training - an introductory file VOL 2 |
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Amy de la Breteque,
Benoît: |
The anatomy of
the voice |
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Andrews, Gaël: |
Voice practice |
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Armstrong,
Richard: |
Singing |
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Meyerhold's Etude: Throwing the Stone |
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Barker,
Clive:
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Theatre Games VOL 1 |
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Theatre Jazz VOL 2 |
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Bautz,
Fabian:
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Eurhythmics and Jaques-Dalcroze |
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Bogdanov,
Gennadi:
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Meyerhold's Biomechanics and Rhythm Vol 1-8
Please Select required Volume from the drop down |
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Bral, Grzegorz
Zubrzycka, Anna:
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The actor's co-ordination |
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Butcher,
Rosemary:
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Choreography in Retrospect |
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Autobiographical performance installation |
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Chakyar,
Raman:
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Kutiyattam |
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Cirla,
Brigitte:
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Voice Work |
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(Ellen
Barlow, Simone Forti, Deobrah Hay, K.J.Holmes,
Jerry
Hunt, Karen Nelson, Lisa Nelson, Lee Saunders, Stephanie Skura, Nancy
Stark Smith, Meg Stuart,
Christine Svane) CNDO
TRANSCRIPTS
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Alexander Technique into performance |
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Duck, Katie:
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On Exiting |
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Dupuy,
Dominique:
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The Poetics of Movement VOL 1 |
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Autour du Baton VOL 2 |
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A Discourse on Clowning |
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Furse,
Anna:
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Glassbody |
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Fava, Antonio
Rudlin
John:
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Masks of the Commedia Dell'Arte |
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Forced
Entertainment:
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Who can Sing a Song to Unfrighten Me? |
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| Fusheng,
Liu / Zhaofang, Lu:
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Fight in the dark |
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An introduction to Stanislavski for teachers |
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Hamilton,
Julyen:
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Dance Improvisation |
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Heggen,
Claire:
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A Singular Protocol |
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| Hodge, Alison: |
The Quick and the Dead – the development
of core training and performance
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Houben,
Jos:
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The Neutral Mask |
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Hulton,
Dorinda:
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One
Square Foot - an exploration into interdisciplinary performer
training
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Foursight Theatre’s Greek Productions
Please Select required Volume from the drop down |
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Hutch,
Johnny:
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Acrobatic and vaudeville routines |
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Ikeda, Carlotta: The Walk and Butoh |
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Objects and emotions - a Kantor legacy Vol 1
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On
Kantor Vol 2 |
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Karczag,
Eva:
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The Constructive Rest Position |
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Karczag,
Eva / Geddes, Gerda:
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A preparation
for the walk in Tai Chi |
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Kelman,
Scott:
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Riffing |
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| Khagan: |
African Stepping |
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| Kilcoyne, Anne / Steve Paxton: |
Touchdown Dance |
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| Kraus, Lisa: |
The Practice of Meridians |
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| Lamb, Warren: |
Decision making and Movement Pattern Analysis |
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| Levinski, Alexei: |
Meyerhold's Biomechanics: A Workshop |
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| Linklater, Kristin: |
Teaching voice |
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| Masanosuke, Gojo: |
Onnagata and the Fan |
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| Mason, Felicity: |
The training sessions of Michael Chekhov |
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| Materic, Mladen: |
Organic Sequences in the theatre Vol 1 |
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Organic
Sequences Vol 2 |
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| Mayer, Liza: |
The Voice - its roots and potential |
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| McDermott, Phelim: |
Space, Improvisation and Creativity |
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| Meckler Nancy: |
Ways of physicalizing thoughts, feelings and text |
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| Merlin, Joanna: |
Michael Chekhov's Psychological Gesture |
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| Nelson, Lisa: |
Tuning at L'animal a l'esquena |
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| Newell, Garet: |
A Lesson in the Feldenkrais Method |
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| O'Donnell Fulkerson,
Mary: |
Release: Language of the axis |
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| Oguri / Van de Ven,
Frank: |
Body Weather Laboratory |
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| O’Reilly, Kaite: |
In Praise of Fallen Women – exploring
a bi-lingual theatre Vol.1 |
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Vol.2 |
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| Oliver, Clifford: |
Story telling in schools |
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| Pardo, Enrique: |
Shadow Boxing |
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| Pavis, Patrice: |
Working with Brecht’s Gestus |
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| Pearson, Mike: |
Brith Gof: Working Practices |
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| Ralli, Teresa: |
A Work Demonstration |
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