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Akademia Ruchu: Performance of "Everyday life after the Revolution II. "Wojciech Krukowski in conversation. A Workshop: Compositional techniques. |
| Allain, Paul: Suzuki training - an introductory file (1 and 2) |
| Amy de la Breteque, Benoît: The anatomy of the voice |
| Andrews, Gaël: Voice practice |
| Arambam, Lokendra: Thang Ta |
| Armstrong, Richard: Singing |
| Barba, Eugenio: Meyerhold's Etude: Throwing the Stone |
| Barker, Clive: Theatre Games / Theatre Jazz |
| Barlow, Ellen: The CNDO transcripts |
| Bautz, Fabian: Eurhythmics and Jaques-Dalcroze |
| Bogdanov, Gennadi: Meyerhold's Biomechanics and Rhythm |
| Bral, Grzegorz: The actor's co-ordination |
| Butcher, Rosemary: Choreography in Retrospect |
Castro, Luis: Autobiographical performance installation
(1and 2) |
| Chakyar, Raman: Kutiyattam |
| Cheechern,
Vichit: Krabbi Krabbong |
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Cirla,
Brigitte: Voice Work
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Dowling,
Niamh: Alexander Technique into
performance
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Duck,
Katie: On Exiting
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Dupuy,
Dominique: The Poetics of Movement
Autour du Baton
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| Furse, Anna: Glassbody |
Eisenberg,
Avner: A Discourse on Clowning
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Fava,
Antonio: Masks of the Commedia
Dell'Arte
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Forced
Entertainment: Who can Sing a Song
to Unfrighten Me?
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Forti,
Simone: The CNDO transcripts
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Fusheng,
Liu: Fight in the dark
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Hahlo,
Richard: An introduction to Stanislavski
for teachers
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Hamilton,
Julyen: Dance Improvisation
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Hay,
Deborah: The CNDO transcripts
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Heggen,
Claire: A Singular Protocol
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Hodge,
Alison: The Quick and the Dead – the
development of core training and performance
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Holmes, K.J: The CNDO transcripts
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| Houben, Jos: The Neutral Mask |
| Hulton, Dorinda: One Square Foot - an exploration into interdisciplinary performer training |
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